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THE REAL STORY OF THE MOST “LIKED” PHOTO OF ALL TIME (4082 hits)


SLATE, November 8, 2012 -- Photojournalist Scout Tufankjian has been chronicling the political career of Barack Obama on and off since 2007. Her image of the president hugging his wife went viral on Tuesday night after news came that he’d won re-election. The post went on to become the most retweeted in Twitter history, and the image quickly became Facebook’s most-liked ever.

SLATE: How’d you get that shot?
S.T.: It was taken back in August, on the third day of an Iowa bus tour. So super old-school. It was a 2007- 2008-style Iowa bus tour, and I think it was nostalgic for the president. It was the first day that the first lady had joined us so he hadn’t seen her in a couple of days. She came in on a bus that morning—it was the first event of the day—and they embraced on stage.

SLATE Slate: That was his first time seeing her?
S.T.: Onstage in front of all those people. I decided to focus on them rather than taking a wider shot, because I think I’m not alone in finding their relationship to be totally aspirational. The obvious love and respect that they have for each other, and that the relationship is clearly one of equals, despite the fact that he’s the president, is remarkable. So I wanted to focus on them as a couple rather than on them and the crowd, or them and their position.

SLATE: Did you know the campaign was planning to use the image in its victory tweet?
S.T.: No, I had no idea. I found out when a friend of mine e-mailed me to let me know that they had used it.

SLATE: How did you feel when you heard?
S.T.: I was extremely excited. I don’t kid myself that the popularity is about the image itself. It’s about the message and how people feel about the Obamas and especially how people feel about the Obamas in that moment. It’s not the composition or anything.

SLATE: It’s interesting that the campaign chose an image of the two of them in such a private moment to celebrate such a public thing.
S.T.: I actually quite like it. It reflects on the way that people feel about the Obamas as people, rather than as public figures. The wonderful thing about working for the campaign is not being with the president or on Air Force One or any of the things that would happen covering any president’s campaign. Spending time with that family is the thing that’s so wonderful. What the family is and represents to the country is as much a part of the president’s appeal as his policies. I don’t know why they chose it, but that’s why I like the choice. As opposed to him waving in front of a flag or something more traditionally presidential.

SLATE: What’s it like to shoot Obama with his family?
S.T.: He’s so much happier and more relaxed. I mean, I don’t know any of this for sure. But when he’s around his family, he seems the happiest that you ever see him. He and the first lady are so focused on each other. The way that they play off each other and get energy from each other… when I was shooting the president during the 2008 campaign I would watch them greet each other on stage and I used to text-message my boyfriend, now my husband: “Do you love me as much as Barack loves Michelle?” and he’d be like, “Probably not, no.”

SLATE: How is their relationship aspirational?
S.T.: Well, I’m young and I’m in a new marriage. The way that they relate to each other—they just celebrated their 20th anniversary–the way they enjoy each other and listen to each other, and the real respect that they have for each other is something I would like to see in my relationship twenty years from now.

SLATE: How did you feel when you saw the Economist cover using a similar image, along with the headline “Now, Hug a Republican”?
S.T.: I haven’t seen it! I have not had a chance to leave this office.

SLATE: When you shot the hug, back in August, did you have any sense that you had gotten something special?
S.T.: Any interaction between the two of them is always going to be the best stuff that I shoot in any given day, almost without exception. So yes, I guess.

SLATE: What is the process like, shooting for the campaign? Do you give them everything? Do an edit?
S.T.: I do an edit for the campaign, and they push some of it out and keep some for later. We use the pictures on Facebook, on Twitter, but everything gets kept. But I did the initial edit, probably sitting in the back of a van on the way to or from an airport, trying to get an Internet signal in Iowa, which is near impossible. There were a couple of similars to that image, but that was the one I chose.

SLATE: This will probably become the most iconic image you shot during this campaign. Before it was released on Tuesday night, were there other shots you thought would be your lasting images from 2012?
S.T.: There was the bear hug in Florida [taken when Obama was embraced and lifted off the floor by pizza shop owner Scott Van Duzer]. The bear hug, that was like one of these perfect moments: You’re standing in the right place, you have exactly the right lens, and you frame it perfectly. Everything just worked out.

It was so shocking that I gasped out loud—I think you can hear me on the video—when he picked up the president. Afterwards we were all walking around in a daze, just like “He picked up the president.” The president’s response was kind of amazing. If someone had picked me up I would have made a shocked face. He just shrugged his shoulders and looked at the head of his secret service detail.

And there is also a picture from Florida, of the president speaking with school children, and two in the back row are kissing.


SLATE: I’ve seen that. Did you know when you shot it that you’d captured the kissing kids?
S.T.: Not until afterward. I showed [presidential adviser] Valerie Jarrett, and she made me show the president. Everyone on the campaign was like, “That’s hilarious, he’s going for it!” “Kid’s got game!”




http://www.slate.com/blogs/behold/2012/11/...
Posted By: Richard Kigel
Saturday, November 10th 2012 at 11:03AM
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Wonderful story!!! Terrific photo. This will be iconic--for the ages.

Saturday, November 10th 2012 at 8:15PM
Richard Kigel
I do like the photo, but it was not what I expected when I navigated here. I didn't know it meant most liked facebook photo or re-tweeted photo. But then I started studying/practicing photography well before digital.
Saturday, November 10th 2012 at 10:51PM
Steve Williams
Take a look for instance at Sabastiao Salgado's Ethiopia.
Saturday, November 10th 2012 at 11:05PM
Steve Williams
http://coeef.tumblr.com/image/19275858082

Saturday, November 10th 2012 at 11:12PM
Steve Williams
Which touches our hearts more?
Saturday, November 10th 2012 at 11:18PM
Steve Williams
War, famine, poverty... Mr. President, my prayers are with you.
Saturday, November 10th 2012 at 11:26PM
Steve Williams
Here's what I am going to do.

But before that I will say that Mr. Obama is my President and I back him 100%. He has a beautiful family and I have no doubt he is a wonderful husband and father.

Now, let's get past the hype, it's over, he is President. So, I will do two things. I will pray for him every day that he have foresight and compassion and right judgement. And I will raise my voice as loud as possible. I want him on this site, if he is not already, and I sure hope we don't embarrass ourselves.

Sunday, November 11th 2012 at 12:00AM
Steve Williams
Special thanks to Mother Irma.
Sunday, November 11th 2012 at 12:15AM
Steve Williams
Social Media? http://www.facebook.com/WhiteHouse


Sunday, November 11th 2012 at 1:05AM
Steve Williams
http://sphotos-b.xx.fbcdn.net/hphotos-prn1...

Sunday, November 11th 2012 at 1:10AM
Steve Williams
End of rant, back to topic.

A Perfect Picture

http://coeef.tumblr.com/image/19275858082

Sunday, November 11th 2012 at 1:46AM
Steve Williams
Q. In the 1980s, you were unable to publish “Sahel” in the United States. Why?

A. At the time, we tried. We looked at many publishers in this country and no one wished to publish it. This was the same with the humanitarian organizations. They thought that Americans were not prepared to see these kinds of pictures. We published the book in France and Spain. Things have changed slowly. Twenty years ago, there were few Africans in the U.S. Now you have them everywhere, from taxi drivers to the Senegalese men selling things on Fifth Avenue in New York City. Millions of refugees cross the border of the United States every year. We have global violence, we have global misery. I think American audiences have matured and can now see these images that were made 20 years before. It is a shame to say this, but they are very modern pictures on these planet. These pictures are hard and violent, but this is the reality of most of the people on this planet.

http://dylanmfoley.blogspot.com/2011/09/se...

Sunday, November 11th 2012 at 2:52AM
Steve Williams
THANKS LOADS BROTHER COW. (S-M-I-L-E)
Thursday, April 10th 2014 at 6:47PM
ROBINSON IRMA
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