I am an admirer of the beauty of women. When I was 10 I knew who she was. We were limited to T.V.Radio, movies and magazines from Hollywood. She was an exquisite woman, a trailblazer I cannot believe 43 years has gone by.
Actress, Singer. One of the most accomplished actresses of her time, she set a high on screen standard for the African-American female film stars who followed and continue to follow her. She rose to the top of her profession with her first starring role and became the first African-American woman to receive an Academy Award nomination for Best Actress. But, just as fast as her success was achieved, so did it begin to fade. She had the drive and the talent to make it but the color of her skin held her back and her life soon began a downward spiral which in the end turned tragic. She is decribed as a kind and extremely giving individual who wanted to please everyone. Dorothy Jean Dandridge was born in Cleveland Ohio's City Hospital in 1922. Her mother Ruby was an aspiring actress who left her father Cyrus with Dorothy's older sister Vivian five month's before Dorothy's birth. Later, the two sisters learned to sing and moved with their mother to Nashville, Tennessee, where their mother formed and wrote material for an act called 'The Wonder Kids.' The girls toured the country, singing, dancing, and performing at social gatherings. In the early 1930s, the family settled in Los Angeles, California. With another girl, Etta Jones, they became the three Dandridge Sisters, and appeared briefly in several fims, including the Marx Brothers movie A Day at the Races (1937). The girls later performed at the famed Cotton Club in New York, often on the same bill with Cab Calloway, Bill "Bojangles" Robinson, W.C. Handy. Shortly after working in the film "Irene" (1940), the trio split up. Early in her solo career, Dandridge appeared in more than a dozem short musical films, notably as dream girl of the Mills Brothers singing group in "Paper Doll" (1942). She also played bit parts in feature movies, such as "Sun Valley Serenade" (1941), "Drums of the Congo" (1942), "Lucky Jordan" (1942), and "Hit Parade" of 1943 (1943). In 1942, she married the dancer Harold Nicholas from the Nicholas Brothers. The marriage later ended in divorce and the couple's severely brain-damaged daughter Harolyn, was eventually put in a private institution. Dandridge had long aspired to be a film actress, and after her divorce devoted herself to fulfilling that dream. To support herself and to make contacts, she established herself as a nightclub singer, appearing at important clubs throughout the country. After appearing in a couple of low-budget films, her major breakthrough came when she was cast opposite Harry Belafonte in "Bright Road" (1953). Soon afterward, Dandridge won the coveted title role in Otto Preminger's "Carmen Jones" (1954), an all-black adaptation of George Bizet's opera "Carmen." Her performance in Carmen Jones won her an Academy Award nomination, the first for an African-American. She continued to work in nightclubs, but it was three years before she made another film. One of Dandridge's most important later roles was in "Porgy and Bess" (1959). That same year, she won the Golden Globe Award for best actress in a musical film for her role in the film. Also in that year, Dandridge married the white nightclub owner Jack Denison, who is reported to have been abusive to Dandridge. In 1962, the couple divorced and shortly thereafter Dandridge filed for bankruptcy. By 1965 her career was on the upswing again, but she also continued to drink heavily and would call various friends at night and talk for hours about everything that was going on in her life.
Posted By: Marta Fernandez
Saturday, October 25th 2008 at 7:20PM
You can also
click
here to view all posts by this author...
